For the actors who portray these characters, they are happy local storytelling is no longer afraid to go where it has shied away from.
Take Padi, for example, who didn’t waste time taking off her clothes in a sex scene in the premiere episode of Adulting on Showmax. Padi loved it, although she said filming such a love scene is anything but sexy and is all technical.
“Nudity will always be scary, especially in South Africa. We are still cultural in most aspects, but for us to change the narrative it needs to be done tastefully,” Padi argued.
“Yes, there is a rise and from what I see, what production houses are doing is taking risks in terms of their storytelling. My question is, why not?
“The experience was nerve-racking but I held it down because of the support I had behind the scenes.”
To get the scene right, Padi, as is standard in filming such scenes, worked with an intimacy co-ordinator. An intimacy co-ordinator is a crew member who works closely with actors and assures their wellbeing in these scenes. They will also help choreograph the scenes and how they will be simulated.
But Padi admitted that even though she was comfortable, she couldn’t overcome her awkwardness.
“A limited number of people are allowed on the set at that particular time as it becomes a closed set. It’s very safe and to be honest, I appreciated that the producers did that,” Padi said.
Actor and casting director Keneilwe Matidze was the intimacy co-ordinator on Adulting, working closely with Padi. A bad experience as a novice actor on set motivated Matidze to become an intimacy co-ordinator.
SA actors talk about nudity as TV shows ramp up sex scenes
‘The rest of the world has made peace with it,’ says ‘Adulting’ star Luthando Mthembu
Image: Supplied
There is an overwhelming uptick in nudes on local TV, with shows Shaka iLembe, The Black Door, The Wife, Fatal Seduction and Adulting ushering this unstoppable taboo shift on the small screen.
Actors including Nomzamo Mbatha, Thembinkosi Mthembu, Khanyi Mbau, Zamani Mbatha, Dippy Padi, Kwenzo Ngcobo and Mondli Makhoba have flashed flesh on the small screen in the past year.
Local TV is naked more than ever. We are in the “golden era” of butts in your face and boobs in the open.
Some television viewers have expressed outrage but what’s going to happen when Hollywood’s new obsession with full frontal nudity trickles down to Mzansi? Penile nudity is on the rise on American television, as seen in shows such as Euphoria, Swarm, Game of Thrones and The White Lotus.
Image: Supplied
Image: Supplied
For the actors who portray these characters, they are happy local storytelling is no longer afraid to go where it has shied away from.
Take Padi, for example, who didn’t waste time taking off her clothes in a sex scene in the premiere episode of Adulting on Showmax. Padi loved it, although she said filming such a love scene is anything but sexy and is all technical.
“Nudity will always be scary, especially in South Africa. We are still cultural in most aspects, but for us to change the narrative it needs to be done tastefully,” Padi argued.
“Yes, there is a rise and from what I see, what production houses are doing is taking risks in terms of their storytelling. My question is, why not?
“The experience was nerve-racking but I held it down because of the support I had behind the scenes.”
To get the scene right, Padi, as is standard in filming such scenes, worked with an intimacy co-ordinator. An intimacy co-ordinator is a crew member who works closely with actors and assures their wellbeing in these scenes. They will also help choreograph the scenes and how they will be simulated.
But Padi admitted that even though she was comfortable, she couldn’t overcome her awkwardness.
“A limited number of people are allowed on the set at that particular time as it becomes a closed set. It’s very safe and to be honest, I appreciated that the producers did that,” Padi said.
Actor and casting director Keneilwe Matidze was the intimacy co-ordinator on Adulting, working closely with Padi. A bad experience as a novice actor on set motivated Matidze to become an intimacy co-ordinator.
Kgomotso Christopher on shooting sex scenes: ‘It is pretty much like a dance choreography’
“One of my first jobs was when I was 19 and played a prostitute. In the scene I was partially naked, wearing a boob tube and little shorts. In the scene I was getting out of bed and started to get dressed,” Matidze said.
“The director said to me they prefer that I take off my boob tube, which means my breasts will be exposed. I felt alone on set. This was never discussed with me beforehand and it was not part of the agreement.
“I didn’t know what to do, so I asked to speak to my agent first and my request didn’t go down well with the director. I came back and said to the director I couldn’t do it and they said good luck to me getting other roles. Nobody was there talking on my behalf or making me feel comfortable and I felt my job was compromised.”
Consent from the actor throughout is paramount. Matidze said it starts in the casting process. She said when the casting brief was sent out for Adulting it disclosed the amount of sexual content. Matidze said when shooting, nothing is real and everything is simulated.
“I would have a conversation with the director to find out what their vision is, and then with the actors. We would go through a nudity and intimacy checklist where we ask specific questions, like are they comfortable being touched on the shoulder, are they comfortable revealing a side breast
“We can shoot it in a way where if they [actors] are not comfortable with revealing the nipple, we can shoot the side breast and cover the nipple because that implies nudity.
“But if there is no other way we can make it comfortable and still get the director’s vision, then we may have to shoot another day or get a body double. We can only use a body double in respect of the actor's consent.”
Image: Black Brain Pictures
Luthando “BU” Mthembu, who also had some steamy scenes in Adulting, spoke of his experience, as a man. He said he is also excited that local filmmaking is exploring nudity in the name of art.
“It’s quite sad that our progression is only coming at a later stage, whereas the rest of the world has made peace with nudity,” he said.
However, he said it has to make sense in the storyline.
“I plan to explore as an actor but in a more tasteful manner. I won’t always be doing nude or sex scenes. I don’t want to fall into the notion of being typecast as a nudity type of actor.”
Mthembu said while it is used as an art form, it is also used to bait viewers into tuning in. He said some sets he has been on haven’t always prioritised the wellbeing of actors in these scenes.
“The rise in nudity on our screen comes from people’s curiosity and the element that ‘sex sells’. At the end of the day, it’s a numbers game that can benefit the producers.
“I’ve been in quite a few productions where I felt very safe, and in some I didn’t. In spite of this, I’ve always made sure to make myself as comfortable as possible to do what I have to do with my partner regardless of the setting.”
Image: SUPPLIED
Image: Supplied
Mandla N, creator of e.tv’s risqué drama The Black Door, agreed the increase in nudity on television is a numbers game. After a year the daily drama unflinchingly depicting life in a brothel ended, making way for the tame spin-off Isitha, The Enemy.
The Black Door was hardly a ratings smash and performed moderately. The top-rated episode in May when it aired its finale pulled a viewership of 1.85-million, according to the Broadcast Research Council of South Africa. In the same month in the same 9.30pm time slot Isitha premiered and its best performing episode drew an audience of 2.05-million. According to e.tv, in June Isitha jumped to 2.4-million viewers.
“Our plan for The Black Door was to rock the time slot and build market share as well as viewers. On television there are different pillars on how you generate your audience. It is either you shock them or emotionally hook them with a love factor. With us we shocked them with the nudity,” Mandla N said.
“Obviously there’s a lot of learning around that experience. For us we were building a slot we knew we’d create a spin-off [Isitha] from. Another big dream for us was that we wanted to do risqué type of content that isn’t the norm in this country. The beauty of that is that it inspired other filmmakers to go bold with their content.
“Producers want numbers. They also want to exercise all forms of storytelling, and part of it is the shock factor. Nudity is very much part of everyone’s life. Everyone can relate to nudity and sex, and it would be a disservice to leave it out in our part of storytelling.”
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